Build thestudio once.Then learnto finish tracks.
Studio and gear consulting, one to one production tutoring in Bitwig Studio, and honest label advice for anyone putting music out properly. Berklee trained, Collin College before that, and still recording.
I produce as Visions Of Glosters and founded Audiophile Music Group, the largest independent label in Texas: more than 500 releases across five imprints, over 150 million streams, and no outside investment. My work as a producer and musician has been featured in VICE, DJ Mag, Mixmag, the Dallas Observer and Voyage Dallas.
My degree is in Commercial Music and Audio Engineering, with a Master's Certificate in Music Business and Technology from Berklee. So the advice here comes from finishing records, mixing them, and getting them out into the world, rather than from reading about it.
Setting the room up
Speaker placement, treatment that actually matters and the two or three fixes that make the biggest difference to what you hear.
Making the software behave
Interfaces, drivers, latency, and the settings nobody explains. Usually the reason a session feels like hard work.
Finishing tracks
One to one in Bitwig Studio. Arrangement, mixing and the habit of calling something done.
Putting music out
Distribution, metadata, splits and what a label deal is actually saying. Seventeen years of running labels, condensed.
The room you already have
Most of this work happens in a spare bedroom, not a commercial studio, and that is fine. The gap between a frustrating setup and a good one is usually placement and settings rather than money.
$175 a visit, same as everything else
In person around the Dallas metroplex, or over a screen share if the problem is inside the software. Up to two hours a visit, or four visits for $600.